touching from a distance ian curtis and joy division

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Touching From A Distance

Author : Deborah Curtis
ISBN : 0571313604
Genre : Rock musicians
File Size : 80. 46 MB
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The only in-depth biographical account of the legendary lead singer of Joy Division, written by his widow. Includes a foreword by Jon Savage and an introduction by Joy Division drummer, Steven Morris. Revered by his peers and idolized by his fans, Ian Curtis left behind a legacy rich in artistic genius. Mesmerizing on stage but introverted and prone to desperate mood swings in his private life, Curtis died by his own hand on 18 May 1980. Touching from a Distance documents how, with a wife, child and impending international fame, Curtis was seduced by the glory of an early grave. Regarded as the essential book on the essential icon of the post-punk era, Touching from a Distance includes a full set of Curtis's lyrics and a discography and gig list.

Touching From A Distance

Author : Deborah Curtis
ISBN : 9780571239566
Genre : Biography & Autobiography
File Size : 30. 15 MB
Format : PDF
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This is the only in-depth biographical account of the legendary lead singer of Joy Division, written by his widow.

So This Is Permanence

Author : Ian Curtis
ISBN : 9781452146508
Genre : Biography & Autobiography
File Size : 41. 7 MB
Format : PDF, Mobi
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So This Is Permanence presents the intensely personal writings of one of the most enigmatic and influential songwriters and performers of the late twentieth century, Joy Division's Ian Curtis. The fact of the band's relatively few releases belies the power and enduring fascination its music holds, especially in light of Curtis's tragic suicide in 1980 on the eve of the band's first American tour. Reproduced in this beautiful clothbound volume are Curtis's never-before-seen handwritten lyrics, accompanied by earlier drafts and previously unpublished pages from his notebooks that shed fascinating light on his writing and creative process. Also included are an insightful and moving foreword by Curtis's widow Deborah, a substantial introduction by writer Jon Savage, and an appendix featuring books from Curtis's library and a selection of fanzine interviews, letters, and other ephemera from his estate.

Unknown Pleasures

Author : Peter Hook
ISBN : 9781471129803
Genre : Biography & Autobiography
File Size : 23. 16 MB
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'Genuinely funny: indeed, the story will… keep you entertained for a very long time' Sunday Times Joy Division changed the face of music. Godfathers of the current alternative scene, they reinvented rock in the post-punk era, creating a new sound - dark, hypnotic, intense - that would influence U2, Morrissey, R.E.M., Radiohead and many others. This is the story of Joy Division told by the band's legendary bassist, Peter Hook. 'Hook has restored a flesh-and-blood rawness to what was becoming a standard tale. Few pop music books manage that'Guardian 'An honest, enthusiastic account … It's a window like no other into the reality of life in this most aloof of bands' METRO 'An immense account of Joy Division's rise…Having read Hook's book, you'll feel like you were the fifth member of the band' GQ 'A bittersweet, profanity filled recollection… If you like Joy Division, you really have to read it' Q Magazine 'Hook lifts the lid on the real Ian Curtis' NME 'He's frank, incredibly funny, and isn't shy'Artrocker

The Hacienda

Author : Peter Hook
ISBN : 9781847378477
Genre : Biography & Autobiography
File Size : 42. 39 MB
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Legendary musician Peter Hook tells the whole story - the fun, the music, the vast loss of money, the legacy - of Manchester's most iconic nightclub Peter Hook, as co-founder of Joy Division and New Order, has been shaping the course of popular music for thirty years. He provided the propulsive bass guitar melodies of 'Love Will Tear Us Apart' and the bestselling 12-inch single ever, 'Blue Monday' among many other songs. As co-owner of Manchester's Hacienda club, Hook propelled the rise of acid house in the late 1980s, then suffered through its violent fall in the 1990s as gangs, drugs, greed and a hostile police force destroyed everything he and his friends had created. This is his memory of that era and 'it's far sadder, funnier, scarier and stranger' than anyone has imagined. As young and naive musicians, the members of New Order were thrilled when their record label Factory opened a club. Yet as their career escalated, they toured the world and had top ten hits, their royalties were being ploughed into the Hacienda and they were only being paid £20 per week. Peter Hook looked back at that exciting and hilarious time to write HACIENDA. All the main characters appear - Tony Wilson, Barney, Shaun Ryder - and Hook tells it like it was - a rollercoaster of success, money, confusion and true faith.

Nostalgia Or Perversion Gothic Rewriting From The Eighteenth Century Until The Present Day

Author : Isabella van Elferen
ISBN : 9781443807456
Genre : Social Science
File Size : 83. 59 MB
Format : PDF
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Nostalgia or Perversion? Gothic Rewriting from the Eighteenth Century until the Present Day presents an interdisciplinary approach to an important aspect of Gothic texts, films, and music: that of rewriting. From the eighteenth-century Gothic novel to present-day vampire films and Goth music, the genre is characterised by its nostalgic reflection on past worlds, narratives, and identities. Gothic nostalgia is often accompanied by a transgressive drive, resulting in perversions of the rewritten past—the modern vampire is no longer embodied evil but an attractive dandy, while Goth subcultures reflect on Victorian aesthetics but pervert them by adding fetishist elements. Gothic nostalgia transforms the past, turning it upside down, foregrounding its background, and corrupting its order. In this volume an international group of philosophy, literature, film, and music scholars investigates the instrumental role of nostalgia and perversion in the Gothic’s rewriting of the past. If elements of both nostalgia and perversion are operative in Gothic rewriting, how are they connected? How do they play out in differing media? How do they change audiences’ views on the relationships between binaries such as past and present, other and self, and norm and deviation? Nostalgia or Perversion brings together the early Gothic novel, present-day female and black Gothic literature, Goth subculture and music, and the imagery of horror films and comic books, thus broadening the definition of ‘Gothic’ from a literary genre to a gesture of pervasive cultural criticism. The interdisciplinary analysis of nostalgia and perversion in Gothic rewriting uncovers wholly new insights into the artistic and social functions of the Gothic, making the volume useful to both scholars and students. As the essays reflect on academic as well as popular texts and media, it is also accessible to general readers. "Nostalgia or Perversion provides a sophisticated analysis of how the Gothic radically rewrites the past, not as nostalgia but as a calculated act of transgression. The past and how its reconstructions break down the boundaries between real and unreal, and normal and abnormal, is examined across a range of different media, including novels, films, comic books, television and music. The essays in this collection also address how this issue shapes Gothic formulations of race, sexuality, and gender. Both ambitious in scope and focused and rigorous in its analysis, this book provides a critically important re-evaluation of the Gothic tradition." —Andrew Smith, University of Glamorgan (UK).

Litpop Writing And Popular Music

Author : Dr Adam Hansen
ISBN : 9781472410993
Genre : Music
File Size : 40. 20 MB
Format : PDF, Kindle
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Bringing together exciting new interdisciplinary work from emerging and established scholars in the UK and beyond, Litpop addresses the question: how has writing past and present been influenced by popular music, and vice versa? Contributions explore how various forms of writing have had a crucial role to play in making popular music what it is, and how popular music informs ‘literary’ writing in diverse ways. The collection features musicologists, literary critics, experts in cultural studies, and creative writers, organised in three themed sections. ‘Making Litpop’ explores how hybrids of writing and popular music have been created by musicians and authors. ‘Thinking Litpop’ considers what critical or intellectual frameworks help us to understand these hybrid cultural forms. Finally, ‘Consuming Litpop’ examines how writers deal with music’s influence, how musicians engage with literary texts, and how audiences of music and writing understand their own role in making ‘Litpop’ happen. Discussing a range of genres and periods of writing and popular music, this unique collection identifies, theorizes, and problematises connections between different forms of expression, making a vital contribution to popular musicology, and literary and cultural studies.

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